Sunday
Sep112011
Making the Amati King Replica
Sunday, September 11, 2011 at 9:20AM I am almost there. Today I will put the fingerboard back on and complete the varnish.
Sunday, September 11, 2011 at 9:20AM Write to me...
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- New music for Zanetto Pellegrino.
- Craquelure, what Montagnana feared.
- Finishing with the chisel. Guarneri Andrea
- Congress makes it easier to fly with instruments
- The finest tool chest.
- I just printed my violin...
- Claudia Fritz is my new hero.
- Handplane as Art 2
- Shaping the arching with a finger plane
- The Times They Are A-Changin'
- Sound adjustment abuse?
- Learning Violin Making
- Making the Amati King Replica 2
- Cut down Amati corners
- 20th Russian-American Festival
- Eugenio Degani 1892
- Stradivari, when the varnish is missing
- Laurence Lesser Speaks - 1622 Amati
- Borromeo String Quartet Apple Store
- Center Joint Restoration
- Alisa Weilerstein MacArthur
- Guarneri del Gesú 1734 Scroll
- Handplane as Art
- How to take violin photos
- Gasparo da Saló Viola Scroll
- No Espresso - No Life
- Andrea Guarneri Scroll Tool Marks
- Michel'Angelo Bergonzi Label
- Testore's Varnish Chipping and Ground
- Guadagnini Exhibit and Concert - Parma
- Making the Amati King Replica
- How to make a cello scroll?
- Borromeo String Quartet interview
- Brothers Amati Cello Scroll
- All good things - made in Oregon
- Under the fingerboard secret - Guarneri del Gesú.
- Thin table on a Postiglione violin
- Button repair, preserving the original.
- Science of sound - Line 6 and other stories
- What is noise? - cure for insomnia
- Brothers Amati scroll
- Who makes the best handplanes?
- Mark Knopfler
- DNA An early Strad Scroll
- Channel over the f wing
- Cappa violin
- How to make a scroll cast (part 4) final
- How to make a scroll cast (part 3)
- How to make a scroll cast (part 2)
- How to make a scroll cast (part 1)
- Note to the varnish makers
- The channel over the purfling, making-concept
- Sound production, too much pressure on new violins.
- Sound production, nut and saddle.
- Applying varnish on the Montagnana cello
- Pellegrino di Zanetto de Micheli 1520-1603
- Varnish on Zanetto da Montichiari 1576
Marco works alone in his studio located at 280 Newbury St. in Boston, MA.
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